This is the stuff for which medication is prescribed, but that would make it stop.
Read moreCooking the Chrysalis
Part of the Transformation series, Cooking the Chrysalis is a30”x40” watercolor on wood panel.
Part of the Transformation series, Cooking the Chrysalis is a30”x40” watercolor on wood panel.
This is the stuff for which medication is prescribed, but that would make it stop.
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Anahata Risng was created, by invitation, for the Fifth Anniversary celebration at Lapis Room in Albuquerque, NM.
I was struck by how similar the way ancient artists extracted pure pigment resembles our own spiritual development.
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Living decades with skeletons tucked in lumpy bundles under the bed may be uncomfortable, but at least it’s contained. That is, until it’s not. Then comes the huge wave of existential angst about which writers pen poems.
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This iconography urges us to move past justification, toward a deeper acceptance of the impact our choices leave behind.
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As Valentine’s Day approaches I gaze into the chained heart of this painting and ask what's locked inside. Although superficially it serves as a reminder that loving without receiving love in return is painful, it doesn't explain why the heart is locked. Why can it not receive love? I sat listening without expectation and here is what I learned.
This heart holds aspects of the self that it's owner denies – parts they are ashamed to admit exist and that make them feel unworthy of love. For how can someone love them when they cannot love themselves? Now I understand that the “unrequited” aspect in the title refers, more deeply, to a longing to be connected with oneself. This painting suggests two keys can unlock this heart. The first is for its owner to recognize that these repressed aspects of self are features, not flaws. The second is the incorporation of practices that cultivate self-love.
This has nothing to do with the stuff you hide in your bedside table. Self-love practices are often simple. You can start with basic hygiene, healthy foods, and spending time with friends. When you're ready, try looking in a mirror, gazing into your own eyes and saying “I love you” with feeling. Yeah, I know its goofy, but its a legit neuro-psych hack and over time you'll believe and feel it. I'm still working on the practice of healthy boundaries which, for me, started with telling my inner critic to f**k off. There are many other simple, helpful practices you can try. You can even mix and match them to keep it fresh.
Remember that you hold the keys to the hidden treasures in your heart. Go see what's in there. You might just fall in love.
The Preciousness of Being, 30” x 40” watercolor on wood panel
We’re just star-dusted A-holes and that’s ok.
Read moreIt was not, honestly, my intent to write a story for this piece. The sketch appeared as a doodle, in June of 2022, and sat tucked in my sketchbook for years. I thought most certainly it was one of the most obvious of visual stories, with it’s circular composition and my ever present Seeker following a rather emotional pair of pants with nobody inside them. The hand, so reminiscent of Picasso’s “la Petit Fleur”; Seuss’s pants; and the Dove, my homage to my Catholic enculturation. But alas, my viewers pressed me to the task of interpretation, so I wrote a story. But remember, my interpretation is not the be-all-end-all of my visual offerings. You, my savvy reader, have a spirit within you that will guide you to interpret what I paint in a way that is most helpful for your own journey. Be still and listen for the quietest, kindest, voice inside you, for that is the one that will help you find your way. With that in mind, I present below the Key to the iconography of Screw Loose and Fancy Free - Chasing the Material World, so that you may read the painting for yourself.
The Iconography
Bird and string – the thread to our higher consciousness is through the practice of Faith Hope and Charity.
Three screws – Body, mind, spirit
Running pants – the material world. Also a reference to Theodore Seuss’s What was I Scared of? a story about being afraid of the unknown. may also be interpreted as a life choice not taken because of fear inadequacies or potential outcome.
Green eyed flower – the physically manifested Seeker, those who are looking for their life purpose
The Seeker's Spine – the train of thought that advances and recedes our consciousness
Gears – moving parts of the physical world
Golden Key – astrology, through which we can learn how our character interacts with the environment
Water – unleashed emotions which can sometimes bring us to new understandings of our self
The Circular Picture Plane - in this story, representative of the cyclical nature of the portrayed narrative
But if you must know, my interpretation is HERE.
When identity is tied to opinions, arguments ensue.
Read moreNot worrying about light-fastness of pigment, durability of surface, or acid-free pulp was liberating. I could pull a piece of paper outta the copy machine, whip out some crusty old dollar-a-bottle Crayola craft paint, and totally mess about.
Read moreEach interaction, each thought, shocks us like the pulse of an electric eel. How we respond determines how or if we can achieve our goals.
Read moreSome, like the Seeker in this painting, believe that finding their soulmate will resolve their feelings of emptiness.
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The Artist, Watercolor and Gold Enamel on Acid-Free Cotton Paper, Image Size: 28" x 19"
The Artist sheds her meat suit and dons the yoke of divine inspiration.
Read moreThrough accepting and forgiving who we were, we become able to illuminate the darkness and stand gratefully in the fullness of our current self.
Read moreAs the parent of an adult introvert with multiple health disorders, I spent years desperately trying to manage my child’s life. I bought things for him he didn’t need or want, offered advice he’d heard and dismissed before, made inane comparisons to the lifestyle of the physically-abled. Each time I saw him I asked hundreds of detailed questions about his health, using my status as mother to pry into every corner of his life, looking for the magic button to his wellness.
Then one day I realized that I didn’t want to talk to my parents, my brother, or sisters. I couldn’t bear the concern in their voices. I wanted their help, they wanted to help, I didn’t want them to worry, I wanted help to stop them from worrying, I wanted help to stop talking about being worried. It was like an emotional moebius strip! That’s when I snapped to what I was doing to my son. I was piling my worries, camouflaged as acts of kindness, onto the load of responsibilities his health demanded.
It’s not easy to break a 40 year habit of helicopter parenting, especially when your kid’s good health is a relative condition. However, I’m working to offer respectful, effective, empowering assistance at my child’s request.
This painting speaks of the burden we caregivers are capable of placing on someone who is mid-struggle. Though it was originally conceived and drawn more than thirty years ago it has a very special relevance to 2020. You’re welcome to interpret and apply it's message to your life using the key to the iconography below.
The Iconography of The Weight of Compassion
Poinsettia: good cheer, celebration and reassurance.
Sunflower: warmth, adoration, and dedicated love.
Freesia: friendship, thoughtfulness, innocence, and the ultimate flower of trust.
Hyacinth: playfulness.
Lilies: sympathy.
Giant straight pin: focused attention on a specific problem
Barbell: allows a person to lift heavier weights and make progress faster but they carry a higher risk of injury.
Roses: a pink rose conveys gratitude, appreciation, recognition.
Grapes: an opportunistic and expansive plant with thorny vines. Ancient Druids found it an inspiration for a relaxed, yet realistic mentality.
You can also visit the story this painting tells on my website HERE. The Weight of Compassion is available as a limited edition fine art giclée HERE.
Vanitas incorporates social media iconography: waving hands; a variety of smiley faces; and the pervasive OMG.
Vanitas represents a girl's effort to comply with an idealized beauty proliferated through social media.
Read more…and among those variations of love, lies the most perplexing: romantic love. It’s like a pothole we fall into.
Read moreLily and Hyacinth first appeared around 1982, but weren’t painted until 2010. They’re making a limited appearance at Ghostwolf Gallery until January 31.
They embrace the ebb and flow of fortune and let it be the ever-changing soundtrack to which they do, or do not, dance.
Read more“If you can keep your head when all about you are losing theirs and blaming it on you,” - Rudyard Kipling
Read moreIn the Orpheum Community Hub mural, a vista of the Sandia Mountains crowning the treetops of our beautiful Rio Grande Bosque reminds us that despite the changes a neighborhood experiences, the beauty of our city is constant.
Scroll through the images to share in the memories depicted in the Orpheum Community Hub mural.
Read moreIf you’re in Albuquerque, head over to the site, have lunch at the Sandia Saloon, and take a selfie! #NorthTowneBloom makes a great background. The mural is located in the shopping plaza at the northwest corner of Wyoming and Academy, between Chico’s and Whole Foods.
Check out this 13 minute process video of Nikki and I in action.
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